“Even when it’s not an entertaining dance number, I like to have that time to just sit with the experience at the end of a movie. In addition to offering a surprising way to end the film, a dance sequence, Baumbach realized, would provide the added benefit of making the viewer sit through the credits - a practice that has become all but lost in the era of streaming. Mulling over that imagery, Baumbach struck on the idea of turning DeLillo’s dazed supermarket wandering into a kind of dance. “They walk in a fragmented trance, stop and go, clusters of well-dressed figures frozen in the aisles, trying to figure out the pattern, discern the underlying logic, trying to remember where they’d seen the Cream of Wheat.” “There is agitation and panic in the aisles, dismay in the faces of older shoppers,” DeLillo writes. DeLillo’s book concludes with a passage that describes shoppers walking in confused disorientation through a supermarket in which the shelves have been rearranged - a metaphor for the way we move through life, desperately clinging to the comforting routines of consumerism in an effort to keep the reality of death at bay.
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